It is the view of this Academy that throughout the 20th century the prominent movements of art have steadily drawn attention (and teaching) away from close observation of the material world and the acquisition of strong technical skills, to a position where cohesive artistic thought is inexorably fragmented by the urge towards greater individual expression. The result is a creative environment in which the visual arts are adrift, with few tangible points of reference and little to say that is of continuing importance or depth.

The philosophy of The Florence Academy of Art demands a return to discipline in art, to timeless classical canons of beauty and to the study of nature as the foundation for great painting. The Academy therefore provides students with the opportunity to explore distinctive aspects of their chosen subject through the development of considerable powers of draughtsmanship, direct study of works of the Old Masters and a deep, practical understanding of the materials and methods of the artist. By this means, and through the resulting identification of clear artistic objectives, students acquire creative self-confidence, visual understanding an subtle and precise powers of description.
Study at the Academy centers upon the importance of drawing (particularly drawing from the human figure) as a means to perfection in painting or sculpture.

In summary, the Academy aims to train artists who:

can draw to a very high standard
can execute works in painting or sculpture to high levels of professional craftsmanship
have a deep understanding of the works and methods of the Old Masters
have a sound awareness of commercial practices in Fine Art

COUNCIL OF ADVISORS

Princess Giorgiana Corsini, President
Leonard Kestenbaum, Vice President
Gerald Ackerman
Benedetto Annigoni
Stephen Doherty
Jorgen Lindeskov
Maurizio Seracini
Steven Tatti
Leanne Tintori Wells
Peter Trippi
Alexandra York